This fonds consists of records encompasing three generations of the Boyd family of Bobcaygeon. The fonds has been divided into the following series: photographs and glass negatives; Reverend Henry C. Avant; Mossom Boyd; Mossom Martin Boyd (Mossie); Lillian de Grassi Boyd; the De Grassi papers which are records of Dr. Alex De Grassi, Lillian Boyd's father, a physician from Lindsay, Upper Canada; Gardiner Cust Boyd; Mildred Boyd; Winnett (Brownie) Boyd; Laurence Chadwick Boyd; Mossom de Grassi Boyd; A. Sheila Boyd; stamps; artifacts; business which deals with the Boyds interests in lumbering; agricultural papers which deal with the Boyd's farming interests in buffalo and cattle; and, estate papers. The strength of this fonds lies in its completeness. Nothing was thrown away and there are grocery lists, laundry lists, staff salary books, furniture receipts, party and wedding invitations, school report cards, ship and railway timetables, diaries and approximately 20,000 pieces of correspondence. This has resulted in a remarkable record of a large household from the 1880s to the 1980s and an invaluable source for social and business historians.

Collection consists of three pamphlets, "Our Own Cookbook" / by the East Victoria Women's Institute, 1905, "Pioneer Gleanings from Verulam, 1867-1967" / by T.H. Martin, and "Bury's Green Branch of the Women's Institute, 1953-1993". Also included are items which were removed from a scrapbook: seven photographs, brochures, and several newspaper clippings relating to Fenelon Falls, Bobcaygeon, Lindsay, and Bury's Green, Ontario, 1961, 1984-1994. The photographs include Women's Institute members such as Nan McGhee, Phyllis Fell, Esther Humphries, Laura Flett, Mrs. Tiers, Clara Flett, and Grace Barker; also included are photos of Sherry L. Telford and Kim Chambers during the Olympic Torch Run, 1988. This collection also consists of a scrapbook entitled "Tweedsmuir History: Bury's Green Branch Women's Institute". Enclosed in it are approximately 70 photographs, a history of Bury's Green branch of the Women's Institute, maps, brochures, correspondence, historical accounts, and memorabilia, n.d. This collection also consists of research material for the Tweedsmuir History; Hand Books for the Federated Women's Institutes of Ontario, 1949, 1971, 1983, and 1987; notebooks containing reports on the Tweedsmuir History, on Historical Research and Cultural Events, and on Education and Cultural Activities, 1953-1987; programs dated 1953-54 through 1993-94; 100th anniversary materials; and correspondence and brochures relating to an award given to a student at Fenelon Falls Secondary School, 1996.

This fonds consists of notebooks belonging to Carrie Brady. The notebooks cover a wide range of subjects such as grammar, French, geography, mathematics and calligraphy.

This fonds consists of a two-volume biography of Eliza Jane (Hughes) McAlpine, 1854-1938, written by her grandson, Wallace McAlpine, fifty years after her death. The biography contains the Hughes family history from the Napoleonic era, follows Eliza's parents to Canada in the 1840's, describes the marriages of her siblings, and gives a fine sense of life in Durham County in the early years of Canada's nationhood. Eliza's battle with spinal meningitis is recounted. The volumes trace the events, joys, and sorrows of the sizeable Hughes family, the accomplishments of Eliza's husband, Dr. John McAlpine, and the experiences with horses and subsequently automobiles. The extraordinary impact of Hardy's "Tess of the D'Urbervilles" is described. The famous Sir Sam Hughes was Eliza's brother and some of his exploits are described. Eliza's tour of Europe is described as it took place just before the outbreak of World War I. Lt. A.A. MacLeod's story is told. There is an account of Lt. Col. Cyril D.H. McAlpine's fateful expedition in the Arctic; a biographical sketch of J.W.L. Foster who painted a portrait of Eliza; an account of M.P. Tom Stinson's visits with Eliza; Eliza's disgust with Vicki Baum; her pleasure in talking with Chief Paudash; and finally her death and its aftermath. The volumes provide a wide, varied sketch of the times in which the events transpire.

Attached to the pages within the volumes are approximately 30 photographs, most of which are portraits, and are both in black and white, and colour.

The fonds consists of family and related papers of Henry Fowlds and his family including James S. Fowlds and H.M. Fowlds. It also includes business correspondence, invoices, some journals and cashbooks, mortgages as well as deeds regarding the business of Henry Fowlds, Jas. S. Fowlds and Bros. and H.M. Fowlds. In December 2001, Trent University Archives launched an online exhibit which depicts Helen Fowld's experiences in World War I. All her letters and diaries are transcribed and are found at the following site: [Nursing Sister Helen L. Fowlds: A Canadian Nurse in World War I.]: http://digitalcollections.trentu.ca/exhibits/fowlds/

The fonds consists mostly of Helen Marryat's (nee Helen Fowlds) personal experiences as a nurse in World War I, and her activities as a local historian. There are clippings of her articles in local newspapers, historical maps (drawn by Gerald Marryat) and other materials relating to settlement of Hastings and district such as education and nursing. Also included are the correspondence and photograph collections of her brothers, Donald and Eric (mostly from World War I), and material on Frederick Marryat (1792-1848), navy captain and novelist. In December 2001, Trent University Archives launched an online exhibit which depicts Helen Fowld's experiences in World War I. All her letters and diaries are transcribed and are found at the following site: http://digitalcollections.trentu.ca/exhibits/fowlds/ffowldswelcome.htm

This fonds consists of the original diary of Margaret Jane Scott who attended Lindsay Model School and then Toronto Normal School before teaching in Omemee, Ontario. The diary covers the period of time Margaret spent in Toronto at Normal School. Also included in the fonds is a typescript copy of the diary which is bound and includes an introduction, photograph and a section entitled conversations with Ida Scott which was produced September 12, 1994.