Folder includes the following photographs:

1: Young girl holding baby, unidentified, presumed to be Stewart's cousins in England, c.1910-1918
2: Hon. John Beverley Robinson, Toronto, 1820-1896
3: Hon. Justice Hagerman
4: Stewart Houston (Bagnani), with her father, Stewart Houston
5: Louisa Robinson, daughter of Sir John B. Robinson (Note: she was the first wife of George Allan) - daguerreotype, 6th plate
6: Augusta (Robinson) Houston, wife of Stewart Houston, and mother of Stewart Houston (Bagnani) (on back of photo “Victoria Era”)
7-10: [Augusta Robinson]
11: Augusta (Robinson) Houston, with back spaniel (2 copies)
12: [Stewart F. Houston}, with back spaniel
13: Black spaniel (see 11&12)
14: [Stewart F Houston] (see 11 & 12)
15: Stewart F. Houston, husband of Augusta, and father of Stewart Houston (Bagnani)
16-28: Augusta (Robinson) Houston in Cairo, 1933 (also one negative - #28)
29: Silhouette of woman facing right (on back of frame “Sam’l Johnson, LLD” - framed
30: Silhouette of a man facing left
31: Silhouette of a man facing left (on back ‘Hagerman or MacCauley”
32: Augusta (Robinson) Houston, 1920?
32a: Augusta (Robinson) Houston (on back of photo “A.L.H 1919”
32b: Alan Houston
32c: [Bill and Barbara Houston], 1965
32d: Houston tomb stone [Louisa’s grave, Rome?] (Note: negative only)

Large Materials Cabinet – Drawer 36: 32b. [Augusta & Stewart Houston wedding photo] (Note: This is unidentified but the woman in the wedding gown appears to be the same woman as in photos #7-10)

File consists of 10 photographs and 9 print copies on paper. Most of the photographs show Peter Gzowski and others in studio. One photo from Gzowski's [2003?] likely visit to Galt Collegiate Institute (see: 23-014/001(28)) Also included are five print copies of cartoons and drawings and one print on card.

This fonds consists of 59 photographs and 16 tintypes, (mostly unidentified), and one scrapbook with a number of original artwork pieces including two paintings on leave.

This fonds consists of two watercolours with one identified as Hastings, Ontario, and and the other identified as Forest City. Also included in the fonds are two pencil sketches and a photograph of another sketch. One sketch of two farms and a river with a steamboat on it, but otherwise unidentified. The other sketch is of the Anderson house, the Ashfield house, Mr. Harry Fowld's house and the Wanamaker's house, all in Hastings, Ontario. The photographic reproduction is of a sketch entitled Hastings on the Trent, Ontario. The watercolours and sketches were created by Rev. Michael A. Farrar.

This fonds consists a diary (1863-1864) of M.A. Farrar and 12 drawings, etchings, watercolours and sketches by M.A. Farrar, genealogical information re the Farrar family, and photographs of Farrar and family members.

Collection consists of 2 watercolour paintings by the Rev. Michael A. Farrar.

Collection consists of 2 folders of materials relating to Rev. Lloyd Delaney's 1983 publication, Small but Bountiful: Rice Lake Story, Gore's Landing, Ontario.

Folder 1 includes 14 photographs including St. George's Church, Gore's Landing; Richard C.P. Brown; Col. Robert Brown; Frederick William Barron; Hariette Sarah Barron; Hariette Sarah Gore (1818-1893); Thomas Sinclair Gore (1819-1854); John & Lizzie Muskrat, Hiawatha Indian Reserve; Rathburn's drive of logs on Rice Lake, 1898; Cookery and sleeping crib on Trent River, Rathburn's drive; Boat going through saw logs on Trent River; "White House" Rice Lake Hotel, Henley Sorby - Rice Lake canoeing; "Glenavy", Gore's Landing, ca. 1880; Archibald Lampman (photographic reproduction).

Folder 2 includes the Colonel Robert Brown scrapbook (Col. Brown was a colonel of the Royal Scotch Fusiliers. Thomas Traill and J.W.D. Moodie were in his regiment). The scrapbook includes newspaper clippings pertaining to his interest in USA relations, campaigns abroad, and matters relating to colonial affairs in Upper Canada; it also includes several original paintings of noteworthy soldiers with whom Brown had come into contact. Also included is a painting of an Indigenous woman entitled "One of the Indian Women who received His R.H. the Prince of Wales... 7th Sept. 1860."

Also included are 4 original sketches: 1. [original] Gore homestead at Gore's Landing, Ontario - a watercolour from memory by T.S. Gore Jr.; 2. "Hazelbank, Rice Lake"; 3. "Mavis Bank, Rice Lake' by J.T. Mercer (cottage); 4. "Plan of St. George's Church Yard, Rice Lake". Also, an original Christmas greeting card with sketch from Gerald & Ivy Hayward, New York, 1924; photographic reproductions of Rice Lake sketches by Charles Fothergill and an offprint of a photo of Fothergill; miscellaneous sketches and notes.

These portraits consist of two items. One is a portrait of Charles Rubidge, [181-?]. The caption "Captn C. Rubidge. Royal Navy, London, England," and a stamped credit "Brown 163 High Holborn London" are found on the reverse. The other is a portrait by F.W. Lock, 1845, of an unidentified male with last name Rubidge, believed to be a son of Charles Rubidge.

The fonds consists of nine oil paintings, 8 of which are on board and one on canvas material, of sites in the Townships of Burleigh and Otonabee and were painted between 1941 and 1943. Six pictures deal with the Mount Julian/Stoney Lake area, while the other two are pictures of sites at the Village of Keene in Otonabee Township. The last is a picture of a pioneer cabin, in Burleigh Township.

Descriptions of paintings

1. The face of Quarry Island, Stoney Lake
2. The road to Mount Julian
3. Road to Mount Julian - looking out
4. Road into Mount Julian
5. Looking across Stoney Lake from Viamede
6. Looking across Stoney lake at Mount Julian
7. Old Mill, Indian River at Keene
8. Pioneer cabin, Burleigh Township
9. Part of the village of Keene, Otonabee

Scrapbook includes cut-outs of art, homilies, poems.

File consists of a scrapbook containing lists of guests, photographs, and other materials. Includes two watercolour paintings (landscape and a hearth), news clippings, a church program, postcards and tickets, and pressed flowers. Photographs depict Flora Morrison, Mary Northway, their dogs, the Windy Pine grounds and region, a winter trip to Dorset, the hydro cut, and other activities.
bathing beauty photographs,

File consists of a sketchbook that includes poems (some written in French), watercolour paintings, sketches and drawings, comments on the paintings and sketches (some written in French), letters, and glued-in engravings

File consists of a sketchbook, including glued in watercolour paintings, pencil drawings, and an engraving, and pieces of dried flowers and leaves.

This item consists of a folder containing ten published 56 cm x 43 cm pictures of American Revolution war scenes.

This fonds consists of 4 boxes of materials related to the life and works of Spencer J. Harrison.

Fonds consists of correspondence, journals, religious materials, and newspaper clippings related to the family of Thomas Alexander Stewart and Frances Stewart. Many papers originate from the family of their son, Henry Louis Stewart. Also included are a book about the Stewart family, Poole's history of Peterborough, a photograph of people at camp at "Indian Hill near Coldwater Ontario," a sketch of Auburn (the family homestead), and a map depicting townships with lots and concessions in the counties of Northumberland, Durham, Victoria, and Peterborough.

File includes 8 pencil sketches of people, flowers, & farm animals: 2 unsigned; 3 signed "M.E.R." 1 signed "Bessie"; 1 signed "S.E.R."; 1 signed "F.B." and titled "Kate & Pompey in the stable & the other Pompey mending the first Pompey's collar." "The other Pompey" according to Stewart Brown is his grandfather, T.A. Stewart Brown (1852-1936).

Also includes 1 ink sketch unsigned. 1 envelope addressed to Bessie Lydia Stewart.

Also included is a linen-backed map of Ireland "published under the superintendence of the Society for the Diffusion of Useful Knowledge." Sir Francis Beaufort, relative of Frances Stewart, is known to have been involved in the preparation of such maps/atlases published by the above Society

Fonds consists of two letters and 5 watercolour paintings. One letter is from Susanna Moodie to Mrs. Katie Vickery, Susanna Moodie's daughter, which is undated. The second letter is from Moodie's her publisher in England congratulating her upon the success of Roughing it in the Bush and enclosing a contract for a subsequent book entitled _Mark Huddleston. The watercolour paintings are by Susanna Moodie and all depict flowers.