Loosely inserted in the journal are the following

• ink drawing of the camp with title "Governor's Island, Muskoka"
• pencil room plan of a building
• ink drawing of a building
• pencil drawing and 2 water colours of buildings with titles "Napiers idea," "Captain Wise's idea", and "Katie Merritts idea"
• ink sketch of an artist
• also silhouettes glued into the inside of the front and back covers (the silhouettes indicate that the journal was compiled by a member or acquaintance of the Robinson family - to name a few, the silhouettes are labeled "Augusta Robinson", "Napier Robinson"
• loosely inserted page dated 1891 and written by M. Forsyth Grant (Minnie Robinson, Stewart Bagnani's aunt)

This fonds consists of typescripts of "Aids to Jury Charges (Criminal)" and "Aids to the Small Claims Court Acts" written by Judge Kennedy. Also included are miscellaneous documents regarding the Canadian Federation of Humane Societies and the Humane Killing Trap Development Committee; various certificates and appointments; a Judge Kennedy portrait; a photo of Judge Kennedy and Harry Deyman in the opening ceremonies procession at Trent University; and one photo of a courtroom scene with Judge Kennedy.

Fonds consists of records documenting Robert Lightbody's experiences with Trent University, as a student, lawyer, fundraiser, and active alumnus. Records include correspondence, meeting minutes, photographs, newspaper clippings, planning records, student records, pamphlets and other ephemera, course syllabi, and student governance records. Fonds also includes a speech and pamphlets from a talk given by Margaret Lightbody for the Canadian Federation of University Women (CFUW).

Fonds is organized into 11 series. Trent University student life; Student government and groups; Course materials; University development; Athletics building; Alumni Association and reunions; Trent properties, funds, and development; Bagnani Endowmnent; Photographs and alumni reunion; Newspaper clippings and images; Margie Lightbody CFUW speech.

Folder includes the following photographs
1: young girl holding baby, unidentified, presumed to be Stewart's cousins in England, c.1910-1918
2: Hon. John Beverley Robinson, Toronto, 1820-1896
3: Hon. Justice Hagerman
4: Stewart Houston (Bagnani), with her father, Stewart Houston
5: Louisa Robinson, daughter of Sir John B. Robinson (Note: she was the first wife of George Allan) - daguerreotype, 6th plate
6: Augusta (Robinson) Houston, wife of Stewart Houston, and mother of Stewart Houston (Bagnani) (on back of photo “Victoria Era”)
7-10: [Augusta Robinson]
11: Augusta (Robinson) Houston, with back spaniel (2 copies)
12: [Stewart F. Houston}, with back spaniel
13: Black spaniel (see 11&12)
14: [Stewart F Houston] (see 11 & 12)
15: Stewart F. Houston, husband of Augusta, and father of Stewart Houston (Bagnani)
16-28: Augusta (Robinson) Houston in Cairo, 1933 (also one negative - #28)
29: Silhouette of woman facing right (on back of frame “Sam’l Johnson, LLD” - framed
30: Silhouette of a man facing left
31: Silhouette of a man facing left (on back ‘Hagerman or MacCauley”
32: Augusta (Robinson) Houston, 1920?
32a: Augusta (Robinson) Houston (on back of photo “A.L.H 1919”
32b: Alan Houston
32c: [Bill and Barbara Houston], 1965
32d: Houston tomb stone [Louisa’s grave, Rome?] (Note: negative only)

Large Materials Cabinet – Drawer 36: 32b. [Augusta & Stewart Houston wedding photo] (Note: This is unidentified but the woman in the wedding gown appears to be the same woman as in photos #7-10)

These portraits consist of two items. One is a portrait of Charles Rubidge, [181-?]. The caption "Captn C. Rubidge. Royal Navy, London, England," and a stamped credit "Brown 163 High Holborn London" are found on the reverse. The other is a portrait by F.W. Lock, 1845, of an unidentified male with last name Rubidge, believed to be a son of Charles Rubidge.

File consists of four original watercolours by Susanna Moodie. The works are untitled. All depict flowers: columbine and violets on mossy ground; a single red rose; white roses on a single stem; and a white wild rose entwined on a wood cross on mossy ground. Three of the paintings are signed by Moodie.