This fonds consists of various original and copied records of the business activities of Thomas Hay, and related family data, such as birth-death records, correspondence, drawings (technical and sketches) and photographs. A small genealogical table compiled by the archivist is enclosed.

File includes The Peterborough Summer Theatre programs for 1950; photographs, transparencies, and watercolours of characters of the play "Antigone," 1947 (Stewart was connected with the Ontario Classical Association); and handwritten notes about a play.

This item is a published print of the Earl of Durham by Hodgson & Graves, London on June 11, 1838. The artists were Sir Thomas Lawrence and C.E. Wagstaff.

Fonds consists of two letters and 5 watercolour paintings. One letter is from Susanna Moodie to Mrs. Katie Vickery, Susanna Moodie's daughter, which is undated. The second letter is from Moodie's her publisher in England congratulating her upon the success of Roughing it in the Bush and enclosing a contract for a subsequent book entitled _Mark Huddleston. The watercolour paintings are by Susanna Moodie and all depict flowers.

Item is an oil painting by John A. Wiseman, former Trent University Librarian, called "Suburban White." The painting depicts houses in a winter landscape.

File includes 8 pencil sketches of people, flowers, & farm animals: 2 unsigned; 3 signed "M.E.R." 1 signed "Bessie"; 1 signed "S.E.R."; 1 signed "F.B." and titled "Kate & Pompey in the stable & the other Pompey mending the first Pompey's collar." "The other Pompey" according to Stewart Brown is his grandfather, T.A. Stewart Brown (1852-1936).

Also includes 1 ink sketch unsigned. 1 envelope addressed to Bessie Lydia Stewart.

Also included is a linen-backed map of Ireland "published under the superintendence of the Society for the Diffusion of Useful Knowledge." Sir Francis Beaufort, relative of Frances Stewart, is known to have been involved in the preparation of such maps/atlases published by the above Society

Fonds consists of correspondence, journals, religious materials, and newspaper clippings related to the family of Thomas Alexander Stewart and Frances Stewart. Many papers originate from the family of their son, Henry Louis Stewart. Also included are a book about the Stewart family, Poole's history of Peterborough, a photograph of people at camp at "Indian Hill near Coldwater Ontario," a sketch of Auburn (the family homestead), and a map depicting townships with lots and concessions in the counties of Northumberland, Durham, Victoria, and Peterborough.

This fonds consists of 4 boxes of materials related to the life and works of Spencer J. Harrison.

This item consists of a folder containing ten published 56 cm x 43 cm pictures of American Revolution war scenes.

File consists of a sketchbook, including glued in watercolour paintings, pencil drawings, and an engraving, and pieces of dried flowers and leaves.

File consists of a sketchbook that includes poems (some written in French), watercolour paintings, sketches and drawings, comments on the paintings and sketches (some written in French), letters, and glued-in engravings

This collection consists of 41 reproductions of sketches including Toronto street scenes from 1882, Lindsay, Peterborough in 1882, Belleville, and Kingston, all in Ontario as well as some reproductions from sites in Quebec.

File consists of a scrapbook containing lists of guests, photographs, and other materials. Includes two watercolour paintings (landscape and a hearth), news clippings, a church program, postcards and tickets, and pressed flowers. Photographs depict Flora Morrison, Mary Northway, their dogs, the Windy Pine grounds and region, a winter trip to Dorset, the hydro cut, and other activities.
bathing beauty photographs,

Scrapbook includes cut-outs of art, homilies, poems.

This fonds consists of correspondence, draft manuscripts, interview tapes and research notes pertaining to biographies of Foster Hewitt and Conn Smythe, etc.; notes and records resulting from Mr. Young's participation in the Royal Commission on Violence in the Communications Industry; and correspondence between Young and fellow media personalities including Robertson Davies, Peter Trueman, John Bassett and Pierre Berton. One of the largest series of records relates to the biography of his son, Neil Young.

The fonds consists of nine oil paintings, 8 of which are on board and one on canvas material, of sites in the Townships of Burleigh and Otonabee and were painted between 1941 and 1943. Six pictures deal with the Mount Julian/Stoney Lake area, while the other two are pictures of sites at the Village of Keene in Otonabee Township. The last is a picture of a pioneer cabin, in Burleigh Township.

Descriptions of paintings

1. The face of Quarry Island, Stoney Lake
2. The road to Mount Julian
3. Road to Mount Julian - looking out
4. Road into Mount Julian
5. Looking across Stoney Lake from Viamede
6. Looking across Stoney lake at Mount Julian
7. Old Mill, Indian River at Keene
8. Pioneer cabin, Burleigh Township
9. Part of the village of Keene, Otonabee

These portraits consist of two items. One is a portrait of Charles Rubidge, [181-?]. The caption "Captn C. Rubidge. Royal Navy, London, England," and a stamped credit "Brown 163 High Holborn London" are found on the reverse. The other is a portrait by F.W. Lock, 1845, of an unidentified male with last name Rubidge, believed to be a son of Charles Rubidge.

Collection consists of 2 folders of materials relating to Rev. Lloyd Delaney's 1983 publication, Small but Bountiful: Rice Lake Story, Gore's Landing, Ontario.

Folder 1 includes 14 photographs including St. George's Church, Gore's Landing; Richard C.P. Brown; Col. Robert Brown; Frederick William Barron; Hariette Sarah Barron; Hariette Sarah Gore (1818-1893); Thomas Sinclair Gore (1819-1854); John & Lizzie Muskrat, Hiawatha Indian Reserve; Rathburn's drive of logs on Rice Lake, 1898; Cookery and sleeping crib on Trent River, Rathburn's drive; Boat going through saw logs on Trent River; "White House" Rice Lake Hotel, Henley Sorby - Rice Lake canoeing; "Glenavy", Gore's Landing, ca. 1880; Archibald Lampman (photographic reproduction).

Folder 2 includes the Colonel Robert Brown scrapbook (Col. Brown was a colonel of the Royal Scotch Fusiliers. Thomas Traill and J.W.D. Moodie were in his regiment). The scrapbook includes newspaper clippings pertaining to his interest in USA relations, campaigns abroad, and matters relating to colonial affairs in Upper Canada; it also includes several original paintings of noteworthy soldiers with whom Brown had come into contact. Also included is a painting of an Indigenous woman entitled "One of the Indian Women who received His R.H. the Prince of Wales... 7th Sept. 1860."

Also included are 4 original sketches: 1. [original] Gore homestead at Gore's Landing, Ontario - a watercolour from memory by T.S. Gore Jr.; 2. "Hazelbank, Rice Lake"; 3. "Mavis Bank, Rice Lake' by J.T. Mercer (cottage); 4. "Plan of St. George's Church Yard, Rice Lake". Also, an original Christmas greeting card with sketch from Gerald & Ivy Hayward, New York, 1924; photographic reproductions of Rice Lake sketches by Charles Fothergill and an offprint of a photo of Fothergill; miscellaneous sketches and notes.

Collection consists of 2 watercolour paintings by the Rev. Michael A. Farrar.

This fonds consists a diary (1863-1864) of M.A. Farrar and 12 drawings, etchings, watercolours and sketches by M.A. Farrar, genealogical information re the Farrar family, and photographs of Farrar and family members.

This fonds consists of two watercolours with one identified as Hastings, Ontario, and and the other identified as Forest City. Also included in the fonds are two pencil sketches and a photograph of another sketch. One sketch of two farms and a river with a steamboat on it, but otherwise unidentified. The other sketch is of the Anderson house, the Ashfield house, Mr. Harry Fowld's house and the Wanamaker's house, all in Hastings, Ontario. The photographic reproduction is of a sketch entitled Hastings on the Trent, Ontario. The watercolours and sketches were created by Rev. Michael A. Farrar.