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This fonds consists of approximately 843 original cartoons by A.G. Racey covering a wide range of subjects. Due to the universal nature of his cartoons, Racey gained international recognition and his works were reproduced in numerous newspapers and magazines around the world. A file list and descriptions of the cartoons, including dates where known, is available below.

This addition to the fonds consists of correspondence, publicity materials, posters, film journals and magazines, buttons, t-shirts, tickets, administrative records and film catalogues of the Canadian Images film festival held in Peterborough annually from 1978 to 1984.

This addition to the fonds consists of newspaper clippings, correspondence, photographs, music books, notes and memorabilia concerning various parts of Peterborough County.

This fonds consists of two colour prints of Cobourg. One is of the lighthouse, entitled "Light Tower, near Coburg", by W.H. Bartlett and C. Cousen and the other is of Cobourg Harbour, entitled "Coburg", by W.H. Bartlett and R. Wallis.

This fonds consists of miscellaneous designs by Cooper & Beatty, Limited, Toronto, for advertisements, invitations, cards, etc. Also included are various designs with the Trent University crest, as well as Cooper & Beatty's "The Metal Book" with available type settings on metal plates.

Fonds consists of 7 watercolours done by Edward C. Caddy. Likely locale of some of the paintings was supplied by Professor Gordon Roper; these locations include Scotland (2), Gull Lake, Stoney Lake, Lake Superior. Two have no indication of location. Also included is a two section map showing Herriots Mill near Kitchiwannoe Lake, and a map (mockup) of Peterborough, Ontario entitled "Location of Built Heritage (demolished and standing) in relation to the MNR building site", 1995.

This addition to the fonds consists of one pen and ink drawing of the Court House, Peterborough.

The fonds consists of two photocopies of drawings of early Peterborough by Edward C. Caddy. The first is a drawing of Conger Hill, 1839-1842, and the second is a drawing of the Courthouse and St. John's Church, 1839.

This addition to the fonds consists of a pen and ink drawing of Conger House and hill, north of George Street in Smith Township, by Edward C. Caddy. The cardboard backing from the original frame has information regarding the sketch and donor.

This addition to the fonds consists of pencil sketches, in a book, of scenes along the Dawson Road such as Lake Shebandowan, Kettle Falls and Rainy River from a camp at Fort Francis.

This fonds consists of correspondence, sketches and class lecture notes of Erik Loder. Loder's theories of art are discernible in his jottings and notes. Also included are numerous art catalogues and exhibition notes; slides of Loder art works; sketches, drawings and paintings; personal cards and letters sent at the time of Loder's death in 1993; art auction and sale lists.

The fonds consists of original designs and drawings by Jean Harstone from architectural design school, 1925-1926 and promotion, advertising and program materials from the Columbia Broadcasting System Radio Network and the National Broadcasting Corporation Radio Network, New York City, 1938-1952.

Fonds consists of indexes and other material compiled by Joan Murray in 1970, in her capacity as art editor for The Canadian Forum. Contains two three-ring binders of textual and graphic records, one print copy of The Canadian Forum from April-May 1970, and a 1-page handwritten note [in Murray's hand?]. The first binder (7 cm) contains an index of all illustrations by artists in The Canadian Forum until 1970, organized alphabetically by artist. The second binder (4 cm) contains an index of select articles in The Canadian Forum between 1930 and 1950, organized alphabetically by subject matter. The print copy of the magazine is the 50th anniversary edition, dated April-May 1970. The handwritten note is titled "Themes of the time."

The fonds is in eight bound volumes and consists of letters, newspaper clippings, photographs, diaries, poetry, sketch books, accounts and a typewritten unpublished autobiography.

This fonds consists of 8 original pencil drawings, signed M. Smithson. The drawings are of fruits, Roman and castle ruins as well as pastoral scenes.

The fonds consists of a scrapbook relating to Marmaduke Matthew's office as secretary of the Canadian Academy of Arts, from 1878 to 1888; two unpublished manuscripts on Canadian art and artists; two sketchbooks, from 1863 and 1873 to 1874; and a record of pictures, from 1890 to 1908.

• undated, pencil manuscript, 8 pages, entitled "Why are our artists so poorly encouraged?"
• undated, pencil manuscript, 5 pages, entitled "Art and its uses"
• sketch books 1: 1863; 2: 1873-74
• record of pictures, 1890-1908

This fonds consists primarily of the correspondence of Scott Ackerman Medd to his parents Sidney Taylor Medd and Estelle Lumsden Ackerman and his sister Mary E. Medd. The correspondence covers such topics as Scott's education at Trinity College School in Port Hope and at the Royal Academy in London, England, his development as and artist, life in England, and World War II. The fonds also contains the family records of Thomas and Mary Medd consisting of emigration and settlement letters, 1819-1919; correspondence to Robert Medd, 1820-1852; and correspondence to and from Sidney Taylor Medd during World War I. Also included are photographs of various members of the Medd family and sketches and sketchbooks of Scott Ackerman Medd.

This addition to the fonds consists of correspondence between Scott Medd and his sister Miss Mary Medd of Peterborough, Ontario. The correspondence is from the later period of their lives. There are also photographs of the Medd and Daniels families.

Collection consists of miscellaneous photographs, engravings, posters, broadsides, and a newspaper supplement.

Item is a framed unnamed watercolour of a house with a woman standing in front. The inscription reads: Olive Langley. /50. A further identification tag on the frame reads: Peterborough Artist and Author.

The fonds consists of the diaries of Harriet Pengelley (1835-1836), Robert Pengelley (1835), and A.E. Marguerite (Rita) Pengelley (1940-1941); correspondence; sketchbooks (1829-1830); drawings; and photographs. In 1994, an addition was made to the fonds which included a photocopy of a diary of Robert Pengelley (1837-1840) and textual records regarding the Pengelley family. In 2018, an addition of Pengelley family genealogical information was received. Some of the diaries have typewritten transcripts attached.

This fonds consists of letters addressed to Peter Gzowski and the CBC radio show "Morningside". It also consists of manuscripts, correspondence with publishers, etc.

Fonds consists of records documenting Peter Gzowski’s professional activities as the host of CBC’s Morningside (predominant 1997) as well as his annual charity golf tournament, the Peter Gzowski Invitational (PGI) (1986-2010). Gzowski’s personal life and education is also documented, as well as Gzowski family history from 1813-2002.

Professional activities documented include researching and producing Morningside and ongoing work related to other CBC programming. Correspondence includes listener letters and internal communications within CBC. Research and production material include show notes, logs, drafts, scripts, and handwritten notes. PGI material includes copies of poems from PGI events, photographs, ads and programs, and limited correspondence.

Personal activities documented include Gzowski’s undergraduate studies, honours and awards received throughout his schooling and professional life, projects such as research into Stephen Leacock, and Gzowski’s death in 2002. Material documenting Gzowski’s undergraduate studies include photographs and course essays. Awards include The Canadian Journalism Foundation lifetime achievement award and an honourary LL.D. degree from the University of Western Ontario. Research material includes correspondence, drafts, notes, and photocopies of published material. Gzowski’s death is documented through several volumes of memorial books.

Gzowski family history documented include genealogies, education, and personal relationships. The professional life of Peter Gzowski’s paternal great-aunt, Hope Morgan, as a soprano is also documented. Correspondence includes letters from Peter Gzowski’s mother, Margaret Young, to her own parents; letters between Gzowski’s paternal grandparents, Vera Gzowski and Harold N. Gzowski; and letters between his father, Harold E. Gzowski and his paternal grandparents. Photographs include portraits, some framed, of Gzowski’s paternal relatives. Research material related to Gzowski family history includes correspondence, photographs, and photocopies of published material, especially about Sir Casimir Gzowski, Peter Gzowski’s paternal great-great-grandfather.

This fonds is organised into six series: (1) Gzowski, Morgan, and Young families correspondence and research; (2) Awards and memorabilia; (3) Morningside and CBC materials; (4) Projects and publications; (5) Speeches; and (6) Peter Gzowski Invitational.

This fonds consists of 59 photographs and 16 tintypes, (mostly unidentified), and one scrapbook with a number of original artwork pieces including two paintings on leave.

This fonds consists of two watercolours with one identified as Hastings, Ontario, and and the other identified as Forest City. Also included in the fonds are two pencil sketches and a photograph of another sketch. One sketch of two farms and a river with a steamboat on it, but otherwise unidentified. The other sketch is of the Anderson house, the Ashfield house, Mr. Harry Fowld's house and the Wanamaker's house, all in Hastings, Ontario. The photographic reproduction is of a sketch entitled Hastings on the Trent, Ontario. The watercolours and sketches were created by Rev. Michael A. Farrar.