Title and statement of responsibility area
Title proper
General material designation
Parallel title
Other title information
Title statements of responsibility
Title notes
Level of description
Repository
Reference code
Edition area
Edition statement
Edition statement of responsibility
Class of material specific details area
Statement of scale (cartographic)
Statement of projection (cartographic)
Statement of coordinates (cartographic)
Statement of scale (architectural)
Issuing jurisdiction and denomination (philatelic)
Dates of creation area
Date(s)
-
[187-?] (Creation)
Physical description area
Physical description
4 watercolours
Publisher's series area
Title proper of publisher's series
Parallel titles of publisher's series
Other title information of publisher's series
Statement of responsibility relating to publisher's series
Numbering within publisher's series
Note on publisher's series
Archival description area
Name of creator
Custodial history
Accession was in the custody of Katherine Jane (Currier) Hull before it was donated to Trent University Archives in 2010 via Brian Hull.
Scope and content
File consists of four original watercolours by Susanna Moodie. The works are untitled. All depict flowers: columbine and violets on mossy ground; a single red rose; white roses on a single stem; and a white wild rose entwined on a wood cross on mossy ground. Three of the paintings are signed by Moodie.
Notes area
Physical condition
Immediate source of acquisition
The watercolours in accession 11-004 were acquired in 2010 from Katherine Jane (Currier) Hull.
Arrangement
Language of material
Script of material
Location of originals
Availability of other formats
Photographic reproductions of the paintings have been framed for the purposes of display; the display copies are located in the Large Materials Cabinet - Drawer 53.
Restrictions on access
Terms governing use, reproduction, and publication
Finding aids
Associated materials
Accruals
General note
Fonds is located in the Large Materials Cabinet - Drawer 42. For purposes of preservation, the frames and matting material have been removed and stored alongside the paintings.