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The fonds consists of family and related papers of Henry Fowlds and his family including James S. Fowlds and H.M. Fowlds. It also includes business correspondence, invoices, some journals and cashbooks, mortgages as well as deeds regarding the business of Henry Fowlds, Jas. S. Fowlds and Bros. and H.M. Fowlds. In December 2001, Trent University Archives launched an online exhibit which depicts Helen Fowld's experiences in World War I. All her letters and diaries are transcribed and are found at the following site: [Nursing Sister Helen L. Fowlds: A Canadian Nurse in World War I.]: http://digitalcollections.trentu.ca/exhibits/fowlds/

The fonds consists of three original letters. Two are written to Harriet Beaufort, the third and last one to Maria Noble. Letter #1 (November 9, 1823-December 6, 1823), tells of mail received, the death of Frances' daughter Bessie, description of produce, and of difficulties in communication with Cobourg. Letter #2 (January 27, 1824-February 5, 1824), describes Frances' troubles with servants, of Tom's trip to Cobourg over the Rice Lake/Peterborough Road, and his getting lost on the lake, and her new baby girl. Letter #3, written from Goodwood, (April 11, 1854), tells of Tom's death, and her reflections on it.

This addition to the fonds consists of an original marriage license; photocopies of an abstract of marriage settlement; last will and codicils and attachments; and miscellaneous correspondence. The correspondence includes Stewart to Browne (March 11-13, 1823) - original belongs to Mrs. G.K. Browne of St. Andrews East, Quebec; Stewart to Browne (December 23, 1853) - original belongs to Dunlop Stewart of Oakville, Ontario; and F. Stewart to Sandford Fleming - original belongs to H.T. Pammett.

This item is a photocopy of a book in which Frances Stewart recorded poems written by various people; the language of flowers; and, rules to know peoples' characters by the months of their birth. The dates of the poems range from 1811 to 1868.

This addition to the fonds consists of 10 letters (some fragments) written by Frances Stewart to her granddaughter and relatives in England, concerning her pioneer life in the Peterborough area. There is also one photograph of Harriet as young child which was photographed in London, England (biographical information is written on the back of the photograph).

This addition to the fonds represents a compendium of Stewart materials. It consists of 5 volumes of transcriptions of letters, journals and other papers of Frances Stewart of Douro Township, Upper Canada, and other family members. These 5 volumes transcribe materials of varying provenance and location and were made by Jean Shearman and her sisters. Interfiled within the volumes is the Stewart-Dunlop fonds (94-007) which is comprised of photocopies of correspondence and a family tree; the correspondence is interfiled where it would naturally occur chronologically and the family tree is located at the beginning of Vol. 1. Note: In 2013, the original letters were received for many of the 94-007 items; the originals are processed as 13-008.

This addition to the fonds consists of two original letters written by Frances Stewart to relatives in Ireland. There is also an original invoice from a linen draper and haberdasher.

This fonds consists of correspondence, an early version of the manuscript of Our Forest Home, and a copyright document for Our Forest Home. Also included are drawings, a painting, and house plans.

This fonds consists of records and photographs concerning the military career of Francis Frape of Peterborough, Ontario.

The fonds consists of the correspondence and manuscripts of the Peterborough author and teacher, Francis J.A. Morris, primarily relating to his interests in botany, entomology, and classical and modern literature. The papers include both prose and poetry selections, some of which are unpublished. Morris wrote for diverse journals, among them the Canadian Forum, and the Canadian Entomologist. Also among the papers are published copies of some of his works, and copies of the works of other authors, mainly in the field of natural science and botany or entomology. There are photographs included, some of which are reproduced here.

This addition to the fonds consists of records created by Frank Morris. The fonds is arranged into the following series: correspondence, manuscripts and typescripts; postcards of the British Isles and Canada; photographs and negatives of botanical species from field trips; glass lantern slides of flowers, fine arts, museums, and scenes of Europe; and maps, mostly of Great Britain and Ontario.

This fonds consists of statements of accounts, bills, and receipts. It also includes assessment notices, tax notices and some miscellaneous papers. The fonds contains a recipe for a diphtheria cure.

This fonds consists of 7 tapes of various lectures sponsored by the Friends of the Bata Library.

This addition to the fonds consists of administrative records relating to the Friends of the Bata Library.

This addition to the fonds consists of correspondence, minutes, membership lists, constitution and financial statements relating to the establishment and activities of the Friends of the Bata Library.

Fonds consists of correspondence and financial statements of the Friends of the Bata Library. Also included are meeting minutes and publicity notices relating to Friends-sponsored talks.

Fonds is comprised of Friends of the Bata Library minutes, financial statements, publicity materials, bulletins, news releases, correspondence, membership lists, fundraising materials, and materials pertaining to the special collections purchased for the Library and Archives.

Fonds consists of administrative records and materials relating to the development of the Frost Centre.

Fonds is comprised of correspondence, newspaper clippings, articles and photographs pertaining to Leslie M. Frost (1895-1973), Gertrude Frost (1894-1970), Cecil Frost (1897-1947), Robert John “Jack” Beal (1919-1994) and Eileen Beal, Robert “Bob” Beal and other family members; also included are documents related to the family’s ‘Pleasant Point Cottage’.

This item is an account book of Gabriel Switzer showing expenses and money received from 1883 to 1884. Also included is a list of officers and directors of the Emily Branch Agricultural Society, 1876.

This fonds consists of photocopies of the minutes of the gaol and courthouse building committee, from 1828 to 1831, at Amherst in Hamilton Township, Newcastle District.

Fonds consists of two hand-sewn booklets, each with five original architectural drawings of the "Hamilton District of Newcastle" gaol and court house. Each sheet has a title depicting the section of the building drawn, i.e., "Ground plan of a court house and gaol to be built at Hamilton district of Newcastle as proposed by Archibald Fraser." All sheets are signed by Archibald Fraser and are undated. Some of the sheets are coloured.

Fonds is comprised of nine one-inch master video reels of ten documentaries produced by documentary filmmaker Gary Elwood Nichol in the 1980s. Of primarily an Indigenous focus, the films were produced in co-operation with Indigenous communities and cover such themes as healing circles, substance abuse, suicide, the Pope’s original and failed visit to the Dene in 1984, Indigenous artists, etc. Shown primarily on CBC and PBS and in-flight on Air Canada, titles include: Rice Dancer; Life Circles; The Circle Moving; The Only Gift; The Yerxa’s: An Ojibway Heritage; A Gathering in Denendeh; Nature’s Gallery; Jean Luc Grondin; Smiths Falls Carvers; and the National Film Board of Canada’s Trent Severn.

The fonds consists of an account book of the general store of G.A. Gibson, Kent Street in Lindsay, Ontario for the period of May 1888 to December 1888; four diaries, May 1898 to July 1906, in which Gibson records the chores performed daily by himself and his family as well as money received (for the sale of produce) and money spent. The fonds also contains one additional diary, January 1910 to April 1914, which records chores and events on the farm. It is possible that the diary was written by Gibson's wife, Alice, but written as if Gibson had written it himself.