22-004/001(29)
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File
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[between 1988 and 1996]
Part of James Neufeld fonds
22-004/001(26)
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File
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1990
Part of James Neufeld fonds
22-004/001(31)
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File
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[between 1988 and 1996]
Part of James Neufeld fonds
22-004/001(27)
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File
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[1990?]
Part of James Neufeld fonds
22-004/001(28)
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File
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[between 1988 and 1996]
Part of James Neufeld fonds
22-004/001(24)
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File
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[between 1988 and 1996]
Part of James Neufeld fonds
22-004/001(23)
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File
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[between 1988 and 1996]
Part of James Neufeld fonds
22-004/001(22)
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File
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[between 1988 and 1996]
Part of James Neufeld fonds
22-004/003(01)
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File
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[between 1996 and 2010]
Part of James Neufeld fonds
22-004/003(10)
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File
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[between 1996 and 2010]
Part of James Neufeld fonds
22-004/003(04)
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File
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[between 1996 and 2010]
Part of James Neufeld fonds
22-004/003(09)
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File
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[between 1996 and 2010]
Part of James Neufeld fonds
22-004/002(37)
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File
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2002-2006
Part of James Neufeld fonds
22-004/001(56)
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File
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2010
Part of James Neufeld fonds
22-004/001(52)
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File
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2010-2011
Part of James Neufeld fonds
22-004/003(35)
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File
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1976-1997
Part of James Neufeld fonds
Articles include:
- “Some pivot for significance” in the poetry of Margaret Avison, Journal of Canadian Studies, May 1976, 11(2), p. 35-42. Copy
- “Structural unity in “The Deptford Trilogy”: Robertson Davies as egoist,” Journal of Canadian Studies, February 1977, 12(1), p. 68-74. Copy.
- “Some notes on Browning’s musical poems,” Journal of Canadian Studies, Spring 1978, 6(1), p. 46-56. Copy.
- “The National Ballet – thirty years on,” Journal of Canadian Studies, Summer 1981, (16)2, p. 113-118. Copy.
- “The second maiden’s tragedy,” University of Toronto Quarterly, Summer 1981, 50(4), p. 107-110. Copy.
- “Two Romeo and Juliets: the National Ballet and the RWB,” Journal of Canadian Studies, Winter 1982/1983, 17(4), p. 120-124. Copy.
- “Visionary Goals,” Journal of Canadian Studies, Summer 1983, 18(2), p. 149-151. Copy.
- “National Ballet of Canada,” Dance in Canada/ Danse du Canada, Autumn 1983, v. 37, p. 24-25.
- “The indigestion of widow-hood: blood, Jonson and “the way of the world”,” Modern Philology, February 1984, 81(3), p. 233-243. Copy
- “Touchstones: the National Ballet 1984-85,” Journal of Canadian Studies, Fall 1985, 20(3), p. 143-150. Offprint.
- “Literary derivatives: the ballet in 1985-86,” Journal of Canadian Studies, Fall 1987, 22(3), p. 127-133. Copy.
- “Review of The Politics of Mirth, Jonson, Herrick, Milton, Marvell, and the Defense of Old History Pastimes,” Renaissance and Revival, Summer 1988, 12(3), p. 234-237. Offprint.
- “Progeny: the ballet in 1987-88,” Journal of Canadian Studies, Fall 1988, 23(3), p. 130-139. Copy.
- “Shaping the legacy: the ballet in 1988-89,” Journal of Canadian Studies, Fall 1989, 24(3), p. 129-139. Copy.
- “Following the arts- music matters: the ballet in 1989-90,” Journal of Canadian Studies, Fall 1990, 25(3), p. 160-166. Offprint.
- “Contexts: the ballet in 1990-91,” Journal of Canadian Studies, Fall 1991, 26(3), p. 168-168. Copy
- “Scorecard: the ballet in 1991-92,” Journal of Canadian Studies, Fall 1992, 27(3), p. 128-134. Copy.
- “Crabb reviews James Neufeld: Power to Rise: History of the National Ballet of Canada,” CBC. November 18, 1996. Transcript of radio broadcast.
- “To have and not have,” Journal of Canadian Studies, Winter 1996/1997, 31(4), p. 161-164. Copy.
- Not without honour,” Dance International, January 1997, 24(4), p. 4-7. Photocopy of article.
22-004/003(36)
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File
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2000-2012
Part of James Neufeld fonds
Articles Includes:
- “James Kudelka: extending ballet’s language,” Journal of Canadian Studies, Fall 2000, 35(3), p. 162-172. Copy.
- “A Brief History of the National Ballet,” National Ballet of Canada celebration guide, [2001].
- “National Ballet of Canada,” and “Governor General’s Performing Arts Awards,” Microsoft Encarta Encyclopedia, 2002. Printout of articles written for Microsoft Encarta.
- “Contractual obligations: the National Ballet’s fiftieth season,” University of Toronto Quarterly, Spring 2003, 72(2), p. 649-659. Copy.
- “All in the trimmings,” Ballet Review, Spring 2004, 32(1), p. 85-90.
- “Guilty pleasures: fairy tales at the National Ballet of Canada,” Queens Quarterly, Fall 2004, 111(3), p. 359-367. Copy.
- “Universities at the edge,” Peterborough Examiner, March 14, 2005, A4.
- “A complicated contract: young rebels of literature and dance,” Queens Quarterly, Spring 2005, 112(1), p. 99-106. Copy.
- “Shock tactics in the theatre: monsters lurk beneath the stage,” Queen’s Quarterly, Winter 2005, 112(4), p. 579-586. Copy.
- “Brave new world: Tom Stoppard and on the Coast of Utopia,” Queen’s Quarterly, Fall 2007, 114(3), p.407-420. copy.
- “Divided we fall: subtitles, sound, and the postwar reconstruction of language,” Religion and the Arts, January 2008, 12(4), p. 559-568. Copy
- “Infusing the classroom with passion,” Focus Trent, February 2009, 8(3), p. 1-2. Copy.
- “Lois Marshall in Moscow,” Queen’s Quarterly, Fall 2010, 117(3), p. 359-368. Copy.
- “The post-classical age,” Dance International, Spring 2012, 40(1), p. 10-13. Includes review of Passion to Dance (2011) in the section “For the dance bookshelf” on page 32.
22-004/002(02)
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File
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2000-2003
Part of James Neufeld fonds