Področje naslova in izjave o odgovornosti
Dejanski naslov
Articles by Neufeld, copies and offprints
Splošna označba gradiva
Vzporedni naslov
Drugi podatki o naslovu
Naslovne izjave o odgovornosti
Opombe glede naslovov
Nivo popisa
Datoteka
Skladišče
Signatura
22-004/003(36)
Področje edicije
Izjava o izdaji
Izjava o odgovornosti v izdaji
Razred področja v zvezi s podrobnostmi, ki se nanašajo na gradivo
Izjava o merilu (kartografskem)
Izjava o projekciji (kartografski)
Izjava o koordinatah (kartografskih)
Izjava o merilu (arhitekturnem)
Izdajanje zakonodaje in označevanja (filatelistično)
Datumi, pomembni za področje ustvarjanja
Datum/-i
-
2000-2012 (Ustvarjanje)
Področje fizičnega opisa
Fizični opis
1 folder of textual records
Področje založnikove serije
Dejanski naslov založnikove serije
Vzporedni naslovi založnikove serije
Drugi podatki o naslovu založnikove serije
Izjava o odgovornosti glede založnikove serije
Številčenje znotraj založnikove serije
Opomba o založnikovi seriji
Področje arhivskih popisov
Ime ustvarjalca
(1944-)
Historiat fonda
Obseg in vsebina
Articles Includes:
- “James Kudelka: extending ballet’s language,” Journal of Canadian Studies, Fall 2000, 35(3), p. 162-172. Copy.
- “A Brief History of the National Ballet,” National Ballet of Canada celebration guide, [2001].
- “National Ballet of Canada,” and “Governor General’s Performing Arts Awards,” Microsoft Encarta Encyclopedia, 2002. Printout of articles written for Microsoft Encarta.
- “Contractual obligations: the National Ballet’s fiftieth season,” University of Toronto Quarterly, Spring 2003, 72(2), p. 649-659. Copy.
- “All in the trimmings,” Ballet Review, Spring 2004, 32(1), p. 85-90.
- “Guilty pleasures: fairy tales at the National Ballet of Canada,” Queens Quarterly, Fall 2004, 111(3), p. 359-367. Copy.
- “Universities at the edge,” Peterborough Examiner, March 14, 2005, A4.
- “A complicated contract: young rebels of literature and dance,” Queens Quarterly, Spring 2005, 112(1), p. 99-106. Copy.
- “Shock tactics in the theatre: monsters lurk beneath the stage,” Queen’s Quarterly, Winter 2005, 112(4), p. 579-586. Copy.
- “Brave new world: Tom Stoppard and on the Coast of Utopia,” Queen’s Quarterly, Fall 2007, 114(3), p.407-420. copy.
- “Divided we fall: subtitles, sound, and the postwar reconstruction of language,” Religion and the Arts, January 2008, 12(4), p. 559-568. Copy
- “Infusing the classroom with passion,” Focus Trent, February 2009, 8(3), p. 1-2. Copy.
- “Lois Marshall in Moscow,” Queen’s Quarterly, Fall 2010, 117(3), p. 359-368. Copy.
- “The post-classical age,” Dance International, Spring 2012, 40(1), p. 10-13. Includes review of Passion to Dance (2011) in the section “For the dance bookshelf” on page 32.