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This fonds consists of materials relating to the stage production of "18 wheels", July-August 1992, and includes 13 related photographs and 24 negatives. Also included are stage sketches for the plays "Man of La Mancha", "Rock and Roll", "The Red Lion", and "We Must Kill Toni", plus 13 unidentifed photos.

This collection of small broadsides consists of a Grand Trunk flyer regarding the fares to the Buffalo Pan-American Exposition in 1901; an Orangeville Methodist Church broadside advertising a concert with Myrtel Tellessen Cooke from 1900; and a broadside for the King George Theatre in Cobourg, Ontario, advertising the film "Avenger" which aired before 1920.

These items are copies of the exhibit catalogue for The Birdsall Collection of Bookbinders' Finishing Tools by Emrys Evans and Rachel Grover of the University of Toronto, Department of Rare Books and Special Collections, 1972. One copy is signed by the authors.

This collection consists of eleven published reports, addresses, and articles by the Honourable Vincent Massey. Topics include education, art and nationality, drama, external affairs, etc. with respect to Canada. Included also are typed notes compiled at a meeting at which Massey was present, on "Diplomatic Machinery", held in 1931.

This fonds consists of manuscripts of three poems by Wilson MacDonald: "The Song of the Undertow", "A Song to the Valiant", and "Graduation Day". There are ten pages of play titles with short critiques and names of publishers. Also included in the fonds are two letters from A. Maclaren giving lists of plays and authors, dated 1922 which are addressed to Vincent Massey.

This fonds consists of two colour prints of Cobourg. One is of the lighthouse, entitled "Light Tower, near Coburg", by W.H. Bartlett and C. Cousen and the other is of Cobourg Harbour, entitled "Coburg", by W.H. Bartlett and R. Wallis.

This item is an 80 page journal, the 2nd in a series, published in 1966/67, and containing a variety of articles on the subject of collecting antiques in the Kawarthas.

File consists of two copies of Katherine E. Wallis: Canadian Sculptor by A. Roger Collins. One copy is inscribed "Dear Aunt Elise with much love from 'Alas!' and 'Alack!,' Happy Memories, 1949". Elise may refer to Elise Roux (1853-1953), wife of Thomas Alexander Stewart Hay (son of Dr. Thomas Hay and Anna Maria Stewart). Loosely inserted is an unidentified photograph of a woman.
The second copy is inscribed "Helen Dear for the new house, Love from Alice, 1953". Helen may refer to the donor's aunt, Helen Frances Mathias who married Rod Stuart; Alice may refer to the author, Alice Roger Collins.

File also includes two removable flash memory devices containing Dr. Mathias' PhD dissertation as well as digital images, slides, and photographs linked to archaeology work conducted by Mathias in Newfoundland, Qatar and Afghanistan. The dissertation provides context for the images.

This item is a magazine in tabloid newsprint format dealing with articles on Canadian history. This item is Vol.2, from November 10, 1978.

This item is a list of early photographers, including addresses and other careers, in Peterborough from 1847 to 1915.

This 8-page, typewritten manuscript is entitled "Folk Songs of Peterborough" and consists of a brief overview of the folk song tradition of the Peterborough area. Fowke indicates that the Peterborough region is one of the richest in Ontario and credits this in large part to the significant Irish representation in the County. She mentions by name individuals who can sing old songs brought from the old country, or songs learned in the lumbering shanty and carried down from generation to generation. She quotes songs that give specific reference to places such as Kinmount, Omemee, Gannon's Narrows, Tory Hill, etc. Farming traditions, love ballads, and jail terms all find their places in the canon.

Fonds consists of 7 watercolours done by Edward C. Caddy. Likely locale of some of the paintings was supplied by Professor Gordon Roper; these locations include Scotland (2), Gull Lake, Stoney Lake, Lake Superior. Two have no indication of location. Also included is a two section map showing Herriots Mill near Kitchiwannoe Lake, and a map (mockup) of Peterborough, Ontario entitled "Location of Built Heritage (demolished and standing) in relation to the MNR building site", 1995.

This addition to the fonds consists of one pen and ink drawing of the Court House, Peterborough.

The fonds consists of two photocopies of drawings of early Peterborough by Edward C. Caddy. The first is a drawing of Conger Hill, 1839-1842, and the second is a drawing of the Courthouse and St. John's Church, 1839.

This addition to the fonds consists of a pen and ink drawing of Conger House and hill, north of George Street in Smith Township, by Edward C. Caddy. The cardboard backing from the original frame has information regarding the sketch and donor.

This addition to the fonds consists of pencil sketches, in a book, of scenes along the Dawson Road such as Lake Shebandowan, Kettle Falls and Rainy River from a camp at Fort Francis.

This fonds consists of a two-volume biography of Eliza Jane (Hughes) McAlpine, 1854-1938, written by her grandson, Wallace McAlpine, fifty years after her death. The biography contains the Hughes family history from the Napoleonic era, follows Eliza's parents to Canada in the 1840's, describes the marriages of her siblings, and gives a fine sense of life in Durham County in the early years of Canada's nationhood. Eliza's battle with spinal meningitis is recounted. The volumes trace the events, joys, and sorrows of the sizeable Hughes family, the accomplishments of Eliza's husband, Dr. John McAlpine, and the experiences with horses and subsequently automobiles. The extraordinary impact of Hardy's "Tess of the D'Urbervilles" is described. The famous Sir Sam Hughes was Eliza's brother and some of his exploits are described. Eliza's tour of Europe is described as it took place just before the outbreak of World War I. Lt. A.A. MacLeod's story is told. There is an account of Lt. Col. Cyril D.H. McAlpine's fateful expedition in the Arctic; a biographical sketch of J.W.L. Foster who painted a portrait of Eliza; an account of M.P. Tom Stinson's visits with Eliza; Eliza's disgust with Vicki Baum; her pleasure in talking with Chief Paudash; and finally her death and its aftermath. The volumes provide a wide, varied sketch of the times in which the events transpire.

Attached to the pages within the volumes are approximately 30 photographs, most of which are portraits, and are both in black and white, and colour.

This fonds consists of newspaper clippings and magazine articles by and about Robertson Davies (including a newspaper clipping of his obituary); Fern Rahmel's articles "Robertson Davies: Wonder-Worker" and "Robertson Davies: "Teacher"-Director"; the stage manager's copy of Robertson Davies' play King Phoenix staged at Peterborough Little Theatre; correspondence between Robertson Davies and Fern Rahmel; and a photo of Brenda Davies and Robertson Davies.

This fonds consists of letters from F.A. Verner to C.J. Townsend relating to the disposition of his pictures and paintings. From the appearances in these papers, Verner's most-oft-painted subject was the Canadian bison.

This fonds consists of three letters between Gene Kelly, Steve Otto and James Rothenburg discussing a possible connection between Kelly and the Sheehy Family of the former "Sheehy" house, which became part of Peter Robinson College, on George St. N., Peterborough, Ontario.

This fonds consists of two Christmas greeting cards sent to the Ropers by Ned and Vi Pratt. The card dated 1953 called "Night" with woodcut illustration by their daughter, Claire Pratt, contains a simple seasonal greeting. The other card, undated, contains a poem called "Magic in Everything", and is embellished with pen and ink decorations by Claire Pratt. Both cards are enclosed in a Trinity College envelope. Also included are three paper fragments: a typewritten one presumably quoting an aphorism by Pratt; a handwritten note referring to pages 380 and 396 in the volume Collected Poems in Roper's handwriting; and another reference to page 230.

This fonds consists of a series of programmes from dramatic productions performed at Hart House Theatre, University of Toronto, between 1919 and 1935. Some of the programmes are autographed by the players.

Collection consists of three personal notes written by Catharine Parr Traill to her grand-niece, Agnes Le Fenore. One is a two part card with the cover illustrated with cutout images of a dog and a butterfly along with a wisp of moss glued to the surface. The second part of the card is a warm salutation to Agnes and her family. The date is 24 December 1897. The second item, dated 12 May, is a note of thanks to Agnes for obtaining a cape [and cap?] for her, and also refers to fatigue and the problem of swelling feet. The third item is a letter written 1 April 1899 to "G Niece A F" [Agnes] sending belated sympathy for two in hospital and describing in some detail Traill's own plight, and the care offered by Kate and Katie.

This fonds consists of copies of papers written by J.E.R. and H.V. Munro of Peterborough, Ontario, on the following topics: The Shanleys - Pioneer Railway Builders, manuscript 14 pages, (London, Ontario); Katherine Wallis - 1945 address to Women's Art Association of Peterborough, manuscript, 9 pages; Women's Art Association of Peterborough through 60 years, 1965, 8 pages; Pioneer; A Chronology of Prince Edward County and the Early Pioneers, 1964, 28 pages; and The Village of Demorestville in the Township of Sophiasburg in the County of Prince Edward, Ontario, 1971, 23 pages and 6 pages correspondence from 1972.

This item is a scrapbook containing Victorian magazine clippings, newspaper clippings, receipts from a trip to Europe in 1885, clippings regarding John Miller's student days at Queen's University from 1882 to 1886, concert and theatre programs from Lindsay, Kingston, Peterborough (including ventriloquist and mind reading events), London, England theatre programs and newspaper clippings regarding a murder trial heard in Woodstock, Ontario, 1890.